Roses

The air smells so sweet here these days.  It must be the honeysuckle.

I have been wanting to incorporate flowers into my portraits for a while now.  It was obvious where to start: our neighborhood has some incredibly beautiful rose bushes.  The kind that ramble and bramble across fences and porches.

So this past rainy Sunday, the boyfriend and I with two umbrellas, a camera and a dog in tow, headed out to take some photos.

Then I hunkered down in my studio and painted the rainy day through.  Here is what became of it.

The figure was started in the painting class I took a few months back.  You can see what the under painting looked like in this post.

Not sure if it’s done yet, but I feel pretty good about it so far.

Foam Flower and Other Friends

These past few weeks, I have been deeply in love with spring.  Specifically, spring in the Blue Ridge Mountains.  Here are some pictures that I have taken while on my way somewhere or another:

The last two were taken on my way out to visit a friend who was staying the weekend in a cabin out near the Parkway past Canton.  We  went hiking near a spot where my teacher, Daisy, had taken me in one of her classes find Pedicularis.  I was hoping to find some to at least sit with and mediate by, and was thrilled to see a huge patch not long after we got in the woods.  I sent my friends ahead while I stayed with the Pedicularis, making a flower essence and harvesting a very small amount for a tincture for myself.

While the flower essence sat in the sun to infuse, I wandered a little further on to sit by the small creek.  I spied a beautiful plant that I wasn’t familiar with, although I think I had seen it a few years ago while looking for Pedicularis in another spot with Daisy.  There were three skinny, straight stalks with bunches of white flowers.  Near the top of the stalk, the blossoms were completely closed into little white balls, but the lower they were, the more open they became until at the bottom of the cluster they were completely open.  Delicate white petals and thread-thin offshoots with coral pink tips.  Naturally, I wanted to get my camera to photograph them, but they insisted I draw them instead.

I didn’t know the name of the plant or anything about any potential medicinal uses or flower essence properties, but I was in love.  One of the beautiful things about working with plants on a vibrational/energetic level is that you get to talk to them.  Don’t know the vibrational essence of a plant?  Sit with it and ask it.  Then listen.

My initial thoughts were that it was very similar to black cohosh in its essence.  The flower shape, although very different in size and arrangement, share a lot of characteristics with black cohosh’s flowers.  Some of the leaves of this mystery plant even had blackness in the center of the leaves which reminded me of the darkness in the joints of black cohosh.  Black cohosh as a flower essence helps us to move through our fears.  It helps us to face our dark places, as well as our power without fear.  In my experience, it has a real witchy feel to it, while foam flower felt more like fairy magic.

When I got home, I looked through my books and determined it was definitely Foam Flower.  I had a name!  A few days later, I headed over to the Botanical Gardens to see if I could find any of my favorite flower, Dwarf Crested Iris.  Well, I sure did find some and wouldn’t you know who was surrounding her (along with a lot of other beauties)?  Foam Flower!

The next day, I got an excited text from Daisy letting me know she had spotted some Dwarf Crested Iris out in Candler with her class.  I asked her what she knew about foam flower (since she’s the one who taught me most of what I know about flower essences), and she said she didn’t really know it well but couldn’t wait to learn.

So the next free afternoon I had, I took my flower essences making supplies out to Candler to find my favorite irises.  I couldn’t find them in their usual spots, but I did find a Pink Lady Slipper in bloom (and many with only buds or leaves out yet):

I headed deeper into the woods, but still found no irises.  Somewhere in the woods, my phone told me I had a voicemail from Daisy, but I didn’t have the reception to listen to it.  I eventually gave up on the woods and headed back out to try to look more closely in the area I remember the irises growing.  I walked toward the creek and look what I saw:

All glowing with late afternoon sun and all.  I decided to give up on the irises and spend some time with my new friend, foam flower.  At this point, I finally had reception and listened to Daisy’s message.  She was very excited to tell me about what she had just learned about foam flower: Just after our texting about the plant, she sent her students off into the woods to find plants to sit with and make essences of.  Of the students found foam flower and decided to work with it.  At the end of the day, she shared her experience of the plant with the class, which Daisy said was basically what I had said about foam flower- she was describing what Black Cohosh does energetically.  She said it would help her to overcome her fear and to do her spiritual work in a more powerful way without the fear she had been feeling surrounding it.

So I sat down and took a little journey with it.  I went energetically to the forest circle where I meet my spirit guides.  I asked Foam Flower to join us there, which it did, and actually embodied a somewhat human form.  I could then ask questions and speak with the essence of the plant.  I learned that Foam Flower essence helps those who work in the spiritual realms to do so without fear (because it can be kind of freaky sometimes), to not fear coming into our own power (because that can be terrifying also), and to be able to tell the difference between energies that intend to help us in our work, and those who do not.  It’s so perfectly fitting for where I am right now that I intend to work with it regularly for a full year.  I made an essence that day and have started taking it several times a day.  I plan to visit with it often, energetically and otherwise, and to call on it when I need its help.  You’re welcome to do the same.  It made sure to tell me (as with most plants) that you don’t really need the flower essence.  You can just call it into your field and your body, and it’ll be there.

The flower essence, steeping in the sun

And just in case you weren’t convinced that I’m a complete nerd for this plant, here is a video of it I took while the essence was steeping.

March and April in New Orleans, Longmont, CO, and Asheville, NC

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I’ve been doing a lot of travelling in March and April.  I took a trip to New Orleans for the first time with an old friend of mine, and went to Colorado (also for the first time) to visit some college friends living in Longmont outside Boulder/Denver.

One of the highlights was working on a mural with my friend for her new baby.  She sketched it out based on a pattern she had seen on a onsie and I followed her with the paintbrush.  She finished it after I left.

I am lucky enough to be sharing a booth at the Big Love Fest in dowtown Asheville on May 6th selling my handbound antique book journals.  Be sure to find me there in Alena Hennesey’s booth!

I have a lot of book binding to do to be ready!  Would you believe I found 29 four leaf clovers in just one of the antique books I am converting to a journal?  It’s true!  Gotta be a good omen, right??

I’ve been painting, too.  Here is a little sneak peek of my latest work.  As you can see, it’s not very far along yet but I’m excited about it where it seems to be headed.  The note above the canvas is from my dad.  I think he attached it to some cds he mailed me (he’s a music guru), but I keep it there since it makes me smile and he and my step mother got me the amazing easel I work on.

A Brief Course in Painting

This past month, I took a portrait painting class from our local community college, A-B Tech.  I got a lot of strange looks from friends when I told them I would be taking a portrait painting class.  “But… you are a portrait painter” was a typical response.

True.   But there is so much to learn!  I think it’s always a great idea to get fresh perspectives on your medium.  There are endless ways to paint and it’s so easy to get stuck in a rut of painting the same way every time.  Approaching each work like you did the last.

I also had never been formally taught how to paint with oils.  When I asked my painting professor in college, she suggested I read a book.  I’m not a book learner when it comes to anything arts or crafts.  So I just kept experimenting, asking other artists along the way.

The teacher for this course, Ursula Gullow, started the series with a demo of how she approaches her portraits (in oil or acrylic) and then let us set to work.  She encouraged us to do much of the editing of the face in the painting process, not worrying about the sketch too much. From there, we were allowed to work on our own projects and she came around to help and talk about our progress.

My goal for the class was to try to loosen up a little in my application.  Working in a new environment from reference photos of people I didn’t know (never happens in my personal work) allowed me to have less attachment to the outcome of the piece (also very rare for me).

I’m not sure where these two pieces will go in the long run, but here are two of the pieces I worked on in the four weeks of class.

Detail:

And I started this on the last night… it’s just the under painting.  The blur on the right eye is from a happy dog’s tail the night I brought it home…

Ursula also has a blog which can be found here.

Photographers and Mystics

I am one of twelve people asked to participate in Lynn Nesseth’s conceptual piece, “Photographers and Mystics”.

To quote her fundraising page:

The “Divination of 2012,” the fifth installment of artist-augur Lynn Nesseth’s ‘Divination Series,’ is a conceptual artwork collaborating the psychic and photographic craft of thirteen artists.  This piece was channeled through inspiration for Black Mountain College Museum’s event the 2012 {RE}HAPPENING.  Nesseth and the appointed twelve artists are using consecrated single-shot disposable “Fortune Cameras” as mediums for evidencing prophetic images of their lives.  The pictures now being taken will be laid into spreads; each individual photograph acting as a card with its own fortune.  Twelve pairs of two compose each roll of 24 exposures, signifying binary aspects of the twelve Astrological Signs.  Each photograph is contextualized into a realm of the artist’s life by its placement into its corresponding Astrological House, or life field, based on the artist’s time of birth.  Adherent to American “pop-ritual”, each fortune will be tagged with phrases relative to aspects of each House via “in bed” or “in my unions.””

As part of this project, she uses one camera to photograph each participant in their archetypal roles- two photographs per person.  She chose “Keeper of the Hearth” for me, which is a lovely poetic way to describe my home body nature.  She shot photos of me in front of my home alter (with Amelia the Dog) and at my easel, both in my home studio.

Below are some documentary photos from the shoot we did with Alyssa Keiffer whose archetype was genius/rebel.  Only two pictures were actually taken on Lynn’s camera from the shoot.  Alyssa embodied an android for the genius role and a leather-clad motorcycle mama for the rebel.  Her two rescued baby sheep make some cameo appearances.  You might recognize these ladies’ beautiful faces from some of my paintings here and here.

Please consider giving a small donation here to help complete the project.  You will be rewarded with shots from the piece!

You can see the actual camera in Lynn’s hand below:

I have taken about 18 of my 24 photos, in pairs of two.  It’s been fun to think about what to include when documenting my life and what is meaningful to me.  Unfortunately I can’t get all the important people in my life in one place (they’re all over this sweet world) so I’ve done what I can with what’s handy.  It’s been a wonderful project and I hope all those in the Asheville area can see the [Re] Happening when it opens.

Thanks, Lyn and Alyssa!